Victory Dance of the Lotha Nagas

victory terpsichore Rhanthungo Kikon basis LOTHAS of TSUNGIKI village performed this bound in the age of old when unsalted warriors from a CHUMPO (popularly know as MORUNG) visited separate(a) CHUMPOS in the contrastive KHELS of the village. For the young warriors, this mastery leap acted both(prenominal) as a fit reminder of the great victories their forefathers had everyplace their enemies and in like manner as an inspiration for them to tackle everyplace in the future. It was a time to take pride from their recent achievements and to encourage and hardiness for each one other for the days to come.It alert them for the future. Those were the days THE DANCE instanter, the present contemporaries performs the success spring on each(prenominal) occasions. But the touch and zeal of the warriors playing this dance prevail as springy and as serious of fervour since times immemorial. Behold on the whole the young warriors atomic number 18 out of the CHUMP OS bedecked in all their cosmetic fineries. Among them include the set black head-wigs chafe of the long bull from the neck and shoulders of the Himalayan black bear, or of the fur of the weaponry of the male gibbon.On the head-wigs, as warriors of proved valours, are stuck in the feathers of the great bird, the Hornbill. On their arms, they prolong wristlets, bracelets and cubitus armlets made of move of sawn-off tubes of elephants tusks. crosswise their shoulders are thrown over coloured baldric-like woven strips of cloths. joined to the end of the baldrics at the waist are the spikes holders the spikes were used during raids over enemy camps. Kneecaps, the LENGTA and the colourfully grace daos and spears complete their attire.Now the young warriors depart go nigh dancing in two rows to in the end make a circle. Singing along and shouting trashy cries as they pigeonhole their feet, twirl their daos and spears, they make the circle an mark of having surrounded the ir enemies. When they have their enemies surrounded, they thrust up their spears and dare each other non to let some(prenominal) enemy warrior send off from their individual posts or positions. THE SHANTHA An exciting, and perhaps the nigh important, part of the Victory dance is the SHANTHA. The constitute Victory Dance rightly belongs to this part-dance inside the dance.The SHANTHA is performed by quadruplet of the most-abled warriors. This group acts as the Escort of the warriors. It as well as is the rearguard and flanks protection of the warriors. The SHANTHA warriors are also riding habit to perform many skills and antics. Among them is the biting and attribute of their daos on the plain-spoken sides as they record bound off along it is very an oath-taking pledge not to die in enemies hands. They result also take a stance and hop forwards and rearward challenging their enemies make it clear what they will do to them with their daos and spears.